Pictureized over Rajesh Khanna (in the film "Kata Patang") as he plays piano at a 1970s Bollywood movie cocktail party, the voice of Kishore Kumar sings. "pyaar diwaanaa hotaa hai, mastaanaa hotaa hain." Love is mad, it's intoxicating. The song is Jazzy sophistication, with a rumba beat and soaring strings. The lyrics, inebriated speaking of the fatal destiny of those who fall in love.
" shamaa kahe parawaane se, pare chalaa jaa." The lamp says to the moth, move away "meree tarah jal jaayegaa, yahaa naheen aa." You'll burn up like me; don't come here. "wo naheen sunataa, us ko jal jaanaa hotaa hain." It (the moth) doesn't listen; it is compelled to burn.* The melancholy fatal lyrics are sung as if laughing with tenderness to the sentiment. Kishore Kumar's vocals elevate the song to a timeless ode of the mysterious nature of life, joy, and love.
A laughing madness and joy, all in the name of the spontaneous here and now of the song. That was Kishore Kumar, that was his gift to Hindi Cinema.